Displaying items by tag: Americana

Back for a second year after a delightful Sunday morning set in 2021:

Scott Rogers (Vocals, Guitar, Banjo, Mandolin) and Shane Osguthorpe (Vocals, Piano, Guitar, Dobro, Harmonica) came together to form the Ogden-based band in 2016. Carrie Myers (Vocals, Ukelele, and lead banana player) makes it a trio. They play traditional bluegrass instruments in very non-traditional ways. They play it how they feel it. Right or wrong, that's The Proper Way. 

Scott: Born and raised in Tupelo, MS, in a family of musicians, Scott was a part of the vibrant south Mississippi 1990s music scene centered around Hattiesburg, MS.  His influences include 70s singer-songwriters, 80s pop music, Americana, and classic rock. Scott always thought a '72 Ford Bronco would have been way cooler than his dad's 1977 Chevy Vega.

Shane: Born and raised in Park City, UT.  He plodded his way through piano lessons where he plunked out Mozart and Chopin before he realized he could use the same instrument to play the classic country, Janis Joplin, Stones, Billy Joel and Elton John tunes that blared from the 8-track tape player in his dad's '72 Ford Bronco. Shane always thought it would have been cool to be from a town like Tupelo, MS.

Carrie: Born and raised in Syracuse, UT as an only child—and her sisters are pretty upset about that. Never had a music lesson because she could play from the time she could walk. Musical influences include fury, silence, and NPR. Single, highly employable, lover of puns, and just grateful to be playing music with her friends. Likes to remind Scott and Shane that it's fine. Right? 

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David Burchfield writes Americana that swaggers wildly through raw emotion within a meticulously written and arranged package. With connections to his indie folk, classic country, and bluegrass roots, Burchfield carves a unique path in the folk rock world with his powerful 5-piece, the Fire Guild. American Songwriter has said: "This type of solid songcraft would make Burchfield fit right in on a bill with the likes of Lucinda Williams or Jason Isbell." Burchfield’s literate lyrics meet emotive grace in nods to Jason Isbell, Watchhouse (Mandolin Orange), and David Ramirez. There is a powerful candor in Burchfield’s writing – raw, emotive, and rich with details that bring the listener right into the scene of his passion. Solo, Burchfield performs with a surprising ferocity and conviction that has silenced even the rowdiest of rooms. Critics have called his 5-piece band, David Burchfield & the Fire Guild, akin to “the Band meets the Stray Birds” – equal parts all out roots rock party and sensitively arranged balladry. Burchfield has opened for Nicki Bluhm, Anders Osborne, Noah Gundersen, David Ramirez, and Joe Pug.

While you’re sitting around the table with your friends and family this week, make your plans to come to the Ogden Music Festival, June 3-5, 2022 (Tickets are on sale Thursday, November 25 at 8:00 AM with special Holiday Pricing through January 2, 2022) and snOwFOAM with The Lil Smokies, January 28, 2022 at The Monarch (Tickets on sale NOW). As always, kids 16 and under are free to everything we do.

OFOAM is grateful for YOU!

Raw, soulful, and with plenty of swagger, Town Mountain has earned raves for their hard-driving sound, their in-house songwriting and the honky-tonk edge that permeates their exhilarating live performances, whether in a packed club or at a sold-out festival. The hearty base of Town Mountain's music is the first and second generation of bluegrass spiced with country, old school rock ‘n’ roll, and boogie-woogie. It's what else goes into the mix that brings it all to life both on stage and on record and reflects the group's wide-ranging influences – from the Grateful Dead's Jerry Garcia and the ethereal lyrics of Robert Hunter, to the honest, vintage country of Willie, Waylon, and Merle. The Bend Bulletin’s Brian McElhiney says Town Mountain, “has serious country and rock ’n’ roll DNA.” Town Mountain features guitarist and vocalist Robert Greer, banjoist Jesse Langlais, mandolinist Phil Barker, fiddler Bobby Britt, and Zach Smith on bass.

Town Mountain's latest album New Freedom Blues (October 2018) is their second consecutive album to debut in the top 10 on the Billboard Bluegrass Chart, and receive multiple worthy mentions by Rolling Stone, No Depression, and more. Full of new material and featuring several guest artists including Tyler Childers and Miles Miller (Sturgill Simpson, drummer), they prove they have staying power by regularly cranking out authentic hit albums. Which they intend on doing again when they go back into the studio this Spring (2021) to record their 6th full-length album of original material. The impression the band has made on fans is clear through their social media engagement, top-tier festival appearances, and Spotify streams (10+ million).

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Scott Rogers (Vocals, Guitar, Banjo, Mandolin) and Shane Osguthorpe (Vocals, Piano, Guitar, Dobro, Harmonica) came together to form the Ogden-based band in 2016. Carrie Myers (Vocals, Ukelele, and lead banana player) makes it a trio. They play traditional bluegrass instruments in very non-traditional ways. They play it how they feel it. Right or wrong, that's The Proper Way. 

Scott: Born and raised in Tupelo, MS, in a family of musicians, Scott was a part of the vibrant south Mississippi 1990s music scene centered around Hattiesburg, MS.  His influences include 70s singer-songwriters, 80s pop music, Americana, and classic rock. Scott always thought a '72 Ford Bronco would have been way cooler than his dad's 1977 Chevy Vega.

Shane: Born and raised in Park City, UT.  He plodded his way through piano lessons where he plunked out Mozart and Chopin before he realized he could use the same instrument to play the classic country, Janis Joplin, Stones, Billy Joel and Elton John tunes that blared from the 8-track tape player in his dad's '72 Ford Bronco. Shane always thought it would have been cool to be from a town like Tupelo, MS.

Carrie: Born and raised in Syracuse, UT as an only child—and her sisters are pretty upset about that. Never had a music lesson because she could play from the time she could walk. Musical influences include fury, silence, and NPR. Single, highly employable, lover of puns, and just grateful to be playing music with her friends. Likes to remind Scott and Shane that it's fine. Right? 

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With her spellbinding voice and time-bending sound, Sierra Ferrell makes music that's as fantastically vagabond as the artist herself. Growing up in West Virginia, the singer/songwriter/multi-instrumentalist got her start belting out Shania Twain songs in a local bar at the age of seven, and left home in her early 20s to journey across the country with a troupe of wandering musicians. "I met all these homeless kids who were traveling all over the place and playing amazing old songs, and I wanted to be a part of that," says Ferrell, who played everywhere from truck stops to alleyways to freight train boxcars speeding down the railroad tracks. "The music they were making was so honest, so pure. It seemed important to bring that kind of music back, and it's been with me ever since."

After years of living in her van and busking on the streets of New Orleans and Seattle, Ferrell moved to Nashville and started landing gigs around town. Soon enough, her magnetic live show drew the attention of Rounder Records, who signed Ferrell in 2019. To date, she's enchanted audiences at major festivals like The Avett Brothers at the Beach, AmericanaFest, and Out on The Weekend, and also shared the stage with the likes of Trampled by Turtles, Parker Millsap, Charley Crockett, and The Reverend Peyton's Big Damn Band.

Produced by Gary Paczosa (Alison Krauss, Dwight Yoakam, Gillian Welch), Ferrell's debut singles for Rounder feature a stellar lineup of musicians, including country royalty like Chris Scruggs and her longtime collaborator Nathan Leath (a fiddle player she first met at the American Legion Post 82's Honky-Tonk Tuesday). Sprung from her self-described "country heart but a jazz mind," those tracks include "Why'd Ya Do It": a beguiling and bittersweet lament partly inspired by Ferrell's fascination with calypso and tango music. ("That song took me a few years to put together -- it's such a different vibe for me, and I'm ridiculously happy with the outcome," Ferrell notes.) And with its galloping rhythm and classic bluegrass storytelling -- as well as a guest appearance from Grammy Award-winner Sarah Jarosz on background vocals -- "Jeremiah" sweetly delivers what Ferrell dubs "a broken song, with a gleam of hope at the end."

Now at work on her full-length debut for Rounder, Ferrell delights in defying all convention in everything she creates. "I want my music to be like my mind is -- all over the place," she says. "I listen to everything from bluegrass to techno to goth metal, and it all inspires me in different ways that I try to incorporate into my songs and make people really feel something."

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With her fourth album, Undercurrent, Sarah Jarosz makes a studied departure from her previous records, shifting the emphasis from her skills as a multi-instrumentalist to her songwriting and vocal performance. Undercurrent accentuates the growth and maturity that Jarosz, now 25, has achieved since graduating from New England Conservatory and moving to New York City. The change in approach garnered Jarosz two Grammy Awards in 2017—Best Folk Album for Undercurrent and Best American Roots Performance for “House Of Mercy.” Undercurrent also picked up the award for 2017 Album of the Year from Folk Alliance International.

Sammy Brue embodies the kind of wisdom, talent and natural empathy that are often signs of age and maturity, and yet at 15 years old, he can place himself in the shoes of others, real or fictionalized, and write stories about them. "He's a student of East Nashville, not Greenwich Village, budding from this new folk resurgence in fascinating ways." ~ Rolling Stone Country

The Ogden, UT based songwriter has been writing songs since the age of 10. He signed to New West Records at 14 and now, with his debut album in hand, Sammy takes the next step forward. The forthcoming album, titled I Am Nice, produced by Ben Tanner (Alabama Shakes) and John Paul White (former Civil Wars) will be released early summer of 2017. Recorded in Florence, Al, they created a brilliant album with nuanced dimension that provides emotional resonance to Brue's songs which Rolling Stone described as “a collection of devastatingly beautiful songs that touch on heartbreak, jealousy, God and Suicide;” and further declared Brue as “An Americana prodigy."

Though Sammy may appear quiet and unassuming, his songs speak volumes. From busking at Sundance at the age of 10, to opening for Justin Townes Earle, John Paul White, Lucinda Williams and John Moreland to mention a few, and performing at Summerfest, and the Newport Folk Festival, you will be hearing a lot about Sammy Brue as he stands on the precipice of what appears to be a long and ever-evolving creative journey.

Raised in hard-bitten Nebraska, Joshua James’ work reflects a distinctly American ache, a yearning for a big sky and an open road. Beckoned westward out of his heartland home by the voices of Jim Morrison and Isaac Brock, he made it as far as the mountains of Utah, where like the settlers before him, he was stopped in his tracks by the arresting beauty. Here, where the mountains pierce the heavens, some believe a conduit is open between man and the divine.

Their third time on the OFOAM stage, The Hollering Pines are a local treasure. We can't wait to have them back.

​The original songs of The Hollering Pines artfully present stories of long nights, short lives, and spilled chances. Sisters Kiki Jane Sieger and Marie Bradshaw build on the blood-tight harmonies of the past while M. Horton Smith's mandolin sweetens the sound. Drummer Daniel Young sings as he lays down the back beat, and Dylan Schorer’s electric and lap steel guitar embroidery rounds things out, pulling The Hollering Pines closer to the dim lights and thick smoke of a neon roadhouse.